Think of a dish that instantly transports you somewhere else. Perhaps it is your grandmother’s soup, a birthday cake, or the smell of onions softening in a pan. Before you have taken a bite, you are back in another kitchen, surrounded by people whose voices you can almost hear. Food has done something extraordinary. It has told a story without saying a word. This is the idea behind the “food voice,” a concept explored by Rozanne Gold, an award-winning chef, journalist, and author. Our food voice is the distinctive way we experience, remember, describe and share food. It grows from family traditions, cultural expectations, personal associations and the senses. Like a speaking voice, it belongs to each of us, yet it is shaped by everyone who has helped feed us.

Imagine archaeologists uncovering the remains of an ancient library and discovering something strange. Several copies of a remarkable story survive, but every one of them appears to come from roughly the same period. Centuries of later scribal activity left no newer copy. Was the story forgotten? Deliberately abandoned? Confined to a small circle of scholars? Or are the missing copies simply waiting to be found? That puzzle lies at the heart of research by Dr. Susanne Görke and Dr. Jürgen Lorenz, both of Philipps-Universität Marburg, into the “Song of Release,” a fascinating work preserved on clay tablets from the Hittite capital of Ḫattuša, in what is now Turkey. The composition belongs to a bilingual Hurrian-Hittite textual tradition. Its surviving fragments open a window onto a world in which stories, languages and scholarly knowledge moved across cultural boundaries.

The Egyptian Revolution of January 2011 may be recalled vaguely through memories of massive crowds in public squares, slogans that reverberated worldwide, and viral images on social media. Women belong at the center of public memory and understanding of this important revolution. During Egypt’s 2011 Revolution and its aftermath, women played a major role, leading demonstrations and negotiations and organizing frontline confrontations, while demanding bread, freedom, and social justice. Many also faced sexual violence in the public spheres, a strategy to isolate them from the masses and weaken the force of the revolution. A remarkable collaborative project led by Prof. Manal Hamzeh of New Mexico State University asks what happens when the women who lived and witnessed those experiences transform them into graphic art.